Discovering The Spark Of Teaching & Learning Through Equitable Grading

Photo by Cristian Escobar on Unsplash

In the 2020 Pixar film, Soul, Joe is a mentor in a purgatory-like realm mentoring a fellow soul named 22. Joe’s quest is to help 22 find her “spark” and decide to return of life on earth.  Joe believes that everyone must have a “spark” - a passion, a destination, a purpose.  It isn't until 22 lives in Joe’s body, however, that she finds her spark and desire to live on earth; and it isn't until Joe lives as a mentee (student) that he finds a legitimate appreciation for living life with purpose.  Through mentoring 22, Joe eventually discovers that a “spark” is not about finding one’s passion or single purpose in life.  Rather, the “spark” is being fully aware of moments that uplift and spark the soul. 

 Joe was supposed to be the mentor, yet he ended up seeing the gaps in the meaning of passion, sharing in a collaborative experience, shifting his perspective on the purpose of life, and reshaping his life.  Like Joe, faculty are mentors who can engage with intentional, equitable practices to discover the “spark” in learning. Both 22’s and Joe’s life experiences still mattered.  They were foundational to finding their spark.  This is a great metaphor for how teachers and students must collaborate in order to reach their full potential - our spark.

We are two community college faculty dedicated to achieving equity. In this article, we share our perspectives, inspirations, and research about equitable grading strategies. Our intention is to spark your curiosity to learn more and to encourage you to critically question your own practices to remove systemic barriers and ensure all students have what they need to achieve their goals – that is how we achieve equity

The process of schooling is at odds with the way humans learn. Dr. Christopher Emdin writes in his book Ratchetdemic: Reimaginig Academic Success, schooling “…places young folks in metaphorical cages and inhabits them from being free, [and] is a contemporary form of historical phenomena like slavery… They feel contemporary forms of the same stress, fear and anger their ancestors felt, and schools serve as spaces that condition them to accept those feelings and normalize them” (136).  As faculty, we have the opportunity to (re) kindle the spark of learning by intentionally and critically investigating our grading practices.  

bell hooks states in Teaching To Transgress: The Education As The Practice Of Freedom, “The classroom remains the most radical space of possibility in the academy, … [and calls] for a renewal and rejuvenation in our teaching practice. Urging all of us to open our minds and hearts so that we can go beyond the boundaries of what is acceptable so that we can think and rethink, so that we can create new visions…” (12). As equity-minded educators, we believe  it is time to re-examine our practice and  recognize our ability to heal by shedding oppressive practices and inspiring the spark in learning.

Seeing Inequities

Historically, grades were a means to efficiently demarcate students to different groups based on their perceived intelligence. By and large, as a system, we have been using the same A, B, C, D, F grading system that was instituted in the US in the Ivy League system in 1898. However, with the influx of immigrants, the move to compulsory education (Rickenbacker & Rothbard, 1974), the passing of the GI Bill in 1944 (Witt, 1993), and the ever-changing student demographic, the Eurocentric foundations of our education system are now (and have been for decades) misaligned with the students we serve. As such, grades are a foundational system that must be reexamined, as they serve as extrinsic rewards for performance, work as a means to favor outcomes over learning, foster competition among students, promote cheating or gaming the system, rely on subjective mathematical calculations, favor privileged students, and perpetuate systemic inequities. This then begs the question, what do grades really measure? In part, grades measure the instructor’s perception of student performance, the benchmarks of which are also defined by that same instructor. More problematically, however, grades really measure a student’s ability to succeed within the confines of our Eurocentric educational system that favors adherence to arbitrarily defined rules and guidelines. Grades measure parents’ educational background, socioeconomic status, memorization skills, and expedited content acquisition, rather than what we really hope to measure as educators: competencies, skills, outcomes, critical thinking, learning, and growth. 

Not only do grades inaccurately measure student growth, faculty have largely used the traditional grading system without questioning its foundations because they were successful in navigating grades as students. As a result, in their classrooms, they replicate the systems that afforded them the successes they had as students. Now, however, there have been many prominent scholars who have challenged conventional grading and have asked us to critically examine grades on a fundamental level. Those who have shed traditional grades in their classes have reported a sense of liberation, and students have disclosed a sense of agency and validation. Without grades, faculty are forced to reexamine their own priorities in the classroom and more creatively measure student growth. 

Sharing and Shifting Power: Alternatives to Traditional Grading

So, how do we move away from a system which has been indoctrinated in us since the move to compulsory education and which we have all experienced both as students and as instructors? There are multiple systematic approaches to modifying our grading practices. Faculty have moved to various alternative systems, including contract grading (Brown [formerly Kuhn], 2020), specifications grading (Nilson, 2014), labor-based grading (Inoue, 2019), and ungrading (Blum, 2020; Stommel, 2018; Gibbs, 2019). Although these systems have their own nuances, they all prioritize the learning process and growth. When adopting an equitized system, the instructor must also adopt the mindset that learning takes time, and to punish a student with a low or failing grade early in the semester is contradictory to the premise of education (Blum, 2020). Instead of focusing on high-stakes exams that require rote memorization, for example, faculty have shifted to open-ended discussions, project-based learning, peer review, self-assessment, revision, conferencing, and portfolios, among other activities. Instead of calculating grades based on weights and percentages, students have control over the grade they hope to achieve, and depending on the system, will complete and pass a certain number of assignments (with contract and specifications grading) or will self-assess the extent to which they grew in the course and make a case for the grade they believe they have earned (with ungrading). 

In my (Bri Brown) recent doctoral dissertation, I examined the impact of contract grading on equity gaps among underrepresented student populations in light of AB-705 and the Student-Centered Funding Formula. Equity gaps were measured by course retention, success, and grade; concurrent and subsequent term GPA’s; term-to-term persistence, and academic probation. The first research question examined whether contract grading correlated with, and predicted, equity markers for underrepresented student populations (e.g., racial minorities, females, foster youth, veterans, first generation students, Pell recipients, and returning students). The second research question examined how students experienced contract grading. The quantitative analysis included institutional disaggregated data for 1687 students enrolled in the participating merit- and contract-graded courses. I also conducted five student focus groups to explore their experiences in contract-graded classes. Quantitatively, contract-graded Latinx, Black, and Middle Eastern students were retained and successful in their English class at comparable rates to White students. Contract-graded Black and Middle Eastern students were also predicted to earn comparable course grades, concurrent GPA’s, and subsequent term one and two  GPA’s as White students. Qualitatively, students expressed appreciation for clear expectations and feedback; felt validated because they didn’t fear failure; felt more confident and safe in the classroom environment; experienced a heightened sense of motivation, engagement, and classroom community; and expressed a shift in motivation from external (i.e. grades) to internal (i.e. writing improvement). These findings confirm the results of several other studies, and as a result, it is logical to conclude that no-points grading is an effort worth pursuing. Not only does it validate students, but it also promotes equity and contributes to the decolonization of the classroom, outcomes which support the California Community College Chancellor’s OfficeVision for Success, as well as local institutional missions and values.  

When faculty let go of the impulse to situate themselves as sole-power keepers and leverage students’ narratives, the teaching and learning dynamic shifts from transactional to transitional with intentionality at the center. Therefore, through equitable grading, students find their spark in learning and we find our spark in teaching. And we are transformed.

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You Had Me At Hello


Course HomepageRecently, I completed the @ONE course,
Humanizing Online Teaching and Learning, that was facilitated by Michelle Pacansky-Brock, @ONE’s Faculty Mentor, Digital Innovation. From the moment I logged in to the course, I knew that something drastic was about to change for me. The course homepage had a .gif of Michelle waving and smiling, a banner with colorful and inviting colors, and a greeting that made it seem like someone was talking directly to me. How, I wondered, can I do that? How can I design a homepage so my students feel as welcome and engaged as I did?

It turns out, this was only the beginning. When I first enrolled in this class, I felt a lot of pride about the way I conduct my online classes. I've been complimented in the past for the videos I create to explain essay prompts and welcome students into the class. However, as soon as I logged into our Humanizing course and began exploring, I was amazed by how much I still had left to learn.

Structure

The course started with a helpful orientation module enhanced with 3 instructor-made videos, several images, a Flipgrid assignment, a Google Form, an infographic, Canvas tutorial videos, and consistent, beautiful banners throughout. Naturally, I compared this to the orientation materials that I use, and I discovered that I’m really only using a couple of content pages that introduce students to Canvas. Never had I considered putting an entire module together to get students oriented with the course, Canvas, and policies! Essentially, I learned how I can chunk my traditional syllabus into Canvas Pages and design it into an orientation module! This approach allows students to read through the module in small pieces rather than read, say, a 14-page syllabus!

Sparkly New Toys!

In the Humanizing course,  I was also introduced to a ton of new tools to use in Canvas that can help to humanize us as the instructors and our students as well.

Flipgrid, which is like a video discussion board, was a tool that I felt a little timid about using at first. However, after watching my colleagues post their video responses, I realized it was very similar to having an in-class discussion. As someone who is particularly shy in a student setting, I can empathize with my students who may feel the same way. However, once I got past simply recording my video and talking to the camera, it was smooth sailing!Brianna on Flipgrid

The tool asked me to take a quick photo of myself and add a sticker or two to create picture that would represent my comment. Being able to customize the picture allows for students to have creative license that a text-based discussion simply can’t provide in the same way. I then simply  submitted my recording and could see a grid of all the other participants who had posted their videos. All of the pictures of participants were arranged in a checkerboard grid, so I could become familiar with my peers’ names and faces. This is something that I had never known how to do in an online setting.

After working with Flipgrid for a couple weeks, I used it to create a "Checking In" assignment in my current online class, and my students loved it! I will definitely be integrating Flipgrid on a more regular basis in my classes, especially in the first week as an icebreaker.

Adobe Spark is another tool that has completely changed the way I conceptualize my online teaching. Adobe Spark is free and includes three separate, but equally useful and easy-to-use, tools for digital storytelling: Video, Page, and Post. Not only will I be using the Post and Video tools to introduce course concepts, but I will also be using Spark to integrate project-based learning in my classes. For example, this semester, students will be have the option to create multimedia reflections of an on-campus event as part of their final project using  Spark Video or Page

Last, I had heard of Canva before, but I had never thought to use it in the ways that Michelle did in her course. Canva is a free design tool that allows people to create flyers, resumes, invitations, and so much more. What I didn’t realize, however, is that, as online instructors, we can use the tool to create engaging banners, buttons, and YouTube video thumbnail images to enhance the design of the course. This, to me, is one of the best ways to truly humanize online learning: create a color palette for the course and design consistent banners that use the same color scheme. This creates cohesion in the course and allows students to intuitively follow the structure of the course while also being engaged by the beautiful and professional designs!

Equity

The tools have really made me realize how effectively they can reach, and more importantly, retain students of color and thus begin to reduce the equity gaps that are exacerbated by online classes. These  tools allow students to creatively and personally engage with the material in dynamic and intimate ways that contrast the sometimes cold experience of text-based discussion boards.Rather than simply reading text on a screen, the digital tools allow students to incorporate tone, facial expressions, and gestures, while simultaneously revealing the nuances of their identities as students and human beings. Additionally, by allowing students the creative space to use digital tools to express themselves, instructors and peers can more deeply empathize with each other. For example, in an Icebreaker, if a student discloses on Flipgrid that she is experiencing stress from her course load, work, and children at home, others can respond in a humanized way with an empathetic video.

I can't emphasize enough how much I am taking way from this @ONE course. I am thrilled to rework my online assignments and begin integrating these tools on a weekly basis. I'm even more enthusiastic to see how these changes will influence the dynamics in my courses and how many more of my students I will be able to retain!

If you are looking for a way to make your online class more warm, inviting, and community-oriented, I highly recommend Humanizing Online Learning. You’ll be engaged and learn ways to reach your students that are dynamic, creative, and authentic. You’ll have your students at “hello.”

Learn more about Humanizing Online Teaching and Learning.